As I patiently move through line edits and more rounds of read-throughs of Wine Bottles and Broomsticks and begin seriously plotting the second book in the Rick Basket series, rather a lot of my mental energy is being wasted on the question ‘what comes next?’ I mean, after final revisions and copy-editing and things. I’ve thought I’d been to this point before, but not really. This time though, I really am. If all goes well I’ll be sitting with a full draft in a few weeks.
Obviously, I really want to get this thing published, you know, like a regular book – but HOW?
It seems like every writer out there has a completely different and thoroughly justifiable position on this.
The most promising initial path I’ve got for this project and where I want to take it is to try and connect with an agent. Of course, I’m completely unknown, don’t have any proven track record of selling books or meeting deadlines. Not only that, I’ve got to find a person I can trust and works in good faith and also won’t deadbeat me. It’s scary and, I suspect, very hard.
Another path, the sort of knee-jerk path, it seems, is to just start firing the manuscript off to various publishing houses. I have serious doubts I’d even manage to get read, let alone get signed. To make it worse, if I do manage to get a contract, I’m likely as not to screw it up and kill the project before it really gets off the ground. It’s my biggest fear in taking the next step here, actually. I like writing these characters and I want to keep doing that. It would really suck for me if I got derailed because of my own stupidity.
The last approach is self-publishing – a highly popular and sometimes successful way to go. The problem is that I don’t have much time and I certainly don’t have a lot of cash, so while I could self-publish, the amount of advertising I could do is pretty minimal. This, actually, doesn’t help either. It’ll be out there, sure, but I won’t be able to tell people who actually want to hear it’s out there that it is. Plus, and this is an ego thing, I won’t be able to walk into Barnes and Noble or the local indie store and find it on the shelf.
So, here I sit, heartburn chewing up my insides staring cross-eyed at a manuscript trying to viciously eliminate passive voice and unnecessary dialogue tags while stretching my plot-holes into compelling story that gets me over the 80K mark (77.6K at last count). Sigh – Any agents out there want to take a look? No? Well, had to ask.