Category Archives: character development

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Where’s Waldo?

How many characters should I have?

This question borders on stupid, really, the answer is obvious: As many as it takes to tell the story.

Okay, great, as many as it takes, got it… How many you reckon that is?

For someone like me, these questions don’t seem stupid, nor does the obvious answer help. In my mind these are major issues. As a reader it’s easy to look at a huge epic fantasy series with dozens of main characters and think: “I am NOT going to to that” – or – “I totally want to do that”. I’m in more of the where’s Waldo? camp. That is, I really prefer to know who the main character is within a chapter or two. I get frustrated at stories where I’ve got to re-read a chapter just to meet and remember all of the characters who seem equally important. Now, it’s not that I think these are badly done, it’s that I don’t like them. From that perspective, I’m going to focus on writing a story where there are fewer characters to deal with.

When I started on my current project, I tried to keep the number of characters to an absolute minimum. This was a problem. Mainly because you’ve got to start with enough people to have dialogue and also conflict, even if it’s something as simple as a stolen horse. Someone’s got to do it and ideally there will be at least a couple of others to talk about it. Right off the bat that’s 3 people, and I haven’t even gotten the main character out of his village yet. Perhaps it’ll take a few more people to get him down the road. Turns out my minimalist ideal wasn’t an approach that would work with the story I’m writing, and after thinking about it starting off with 3 seems like a good rule of thumb.

So, what was my solution to keep the number of characters to something I felt comfortable with? Well, first of all the story is a 3rd person limited, with a focus on two specific characters with the idea that I’m going to stick with that one sub-plot. The second bit is that I’m trying to keep the number of characters in any given scene in the range of 3-4, more than that is hard anyhow (not impossible, of course, just hard). Thirdly, and most importantly, I only add in characters who are absolutely essential to the scene. The last part is that I avoid naming characters who aren’t significant to the story as a whole. So, a character might be essential for a scene, but doesn’t get a name because she isn’t essential to the larger story. This category of character is only given a one or two word description instead of a proper name – this is a super common approach, but I’m taking it a little further than you usually see it in that these names are how the main characters think about them and apply to people that would usually get a name.

These are tricks I’ve seen in tons of other stories, and so I don’t know that it qualifies as advice, or even gets to the point, but this is how I’m approaching my story. I’m sure I’ll have more to say on the subject at some point.

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Rewriting the first chapter

Great, now I’ve got to rewrite the first chapter. The driver of the whole story as it’s written so far. Do I just trash the whole thing? Yes, I think I have to, maybe I can keep a little bit.

This is where I was a couple of months ago. It sucked. 15 chapters drafted, and I realized that the first chapter may have launched the action, but didn’t fit with the rest of the story. (At this point a professional writer might say: How is that even possible? – Well it is for me, because I’m not a pro.) That chapter started life as a bit of back-story for a supporting character. The idea was a tragic and secret love-story to explain his motivations. I had a lot of attempts to get my story going and I had characters and a general story arc, just not a good starting point. All I needed was a place I could launch the action that needed to happen. When I made the decision to swap the supporting character for the main character in that first bit of back-story, doors opened. I had motivation for the main character, a way to introduce the antagonist and an excellent introduction to the world.

From that first chapter, the second, third, and fourth chapters came easily. They were horrid the first go around, and I spent a lot of time rewriting them. I like them now, and liked them a couple of months ago. At that point I was ready to share the work, and the immediate feedback was that first chapter was good, but the story of it didn’t really fit with the direction of the rest of the story. In order to make it work, I would either have to expand chapter 1 into at least one more chapter and change significant plans for the main character in the future, or do something different. The conclusion I came to is that I had to scrap that first chapter. Well, that dropped me into a lurch. The action after just didn’t go and those subsequent chapters didn’t make a lot of sense without a launch point significantly similar to the original first chapter.

After throwing a tantrum for a while about having to throw away what had amounted to weeks of writing time – which translates into years for me given all of my other commitments – I spent some thinking about the problem, and managed to find a suitable revision. It was still a complete re-write, but it kept all of the key plot elements necessary to move the action forward. In fact, as far as story structure goes, it’s better. The style of that first chapter is more like the rest now (which was a related problem I’d been struggling with), the introduction of the main character was generally better, and the conflict I was trying to explain seemed to make more sense. The best part of this revision is that it didn’t require huge changes to subsequent chapters. However, there is a major drawback – the first chapter as it is now still needs a lot of revision and polishing. It’s nothing I can’t deal with though.

This experience has taught me an important lesson, one that I should already know: If most of the plot is working, there is no reason you shouldn’t be able to rewrite major portions (all?) of early chapters and still salvage the majority of the writing.

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Is there such a thing as too much back story?

I’m not really talking so much about the synopsis of a character you might do to place them in the events of story, give them at least the thinnest thumbnail of personality and motivation. I’m talking more about an in-depth sort of back story, more like chapters that won’t ever be used. You know they won’t but write them anyhow. I’m not sure there can be too much back-story, except that it seems like you might run the risk of losing focus. I certainly get side-tracked. A couple months ago, I got writers block pretty bad, and instead of trying to figure out why I got stuck, I spent about a week and a half developing verb conjugations for three dialects of one of my constructed languages. (See, there I went). Anyhow, I suppose many writers would write these in-depth histories as standard practice, I don’t know, it certainly didn’t occur to me as a new writer.

For each of two of my main characters, I’ve got what I would consider a chapter or two of events in their own history which serve to place them in the story for me. I wrote both of these as if I’d intended to put them into the story, with as much attention to setting and action as I might for any draft. In both cases they’re key to the plot of my story, but need to come out slowly to the reader as events unfold. So far, this approach feels good to me, because it helps me understand the character’s motives and place in a way that a few bullet-points or paragraphs in a notebook might not. It makes the events real for me as the writer because they happened. At the moment, I’m working on a similar chapter for a third character who didn’t get the same treatment initially, and I realized not having done that was a mistake even though the character really came alive as soon as she appeared. It left a big hole in the plot, which seemed like a nice thing to have at the time, you know for flexibility, but in filling that hole, the main plot gains credibility and I now have the basis for action that needs to happen in later chapters. When I finish it, I’ll continue revising from where I stopped, and in all likelihood I’ll be writing another of these when I introduce the next character.