Category Archives: writing

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The ruggedly handsome rogue hero.

I suppose the ruggedly handsome rogue hero, is technically more appropriately called the lovable rogue, but I like my description better. I could try to write a how-to here, but that’s pointless, because there’s a lot of that out there and everything I’ve seen I generally disagree with to a certain extent. I’m also not out here to pick a fight with other bloggers or advice givers, so picking apart someone else’s analysis isn’t worth the time. Instead, I thought I’d rather muse on three of my favorite lovable rogues. These would be Han Solo, Malcom (Mal) Reynolds from Firefly, and Uhtred of Bebbanburg from the Saxon Stories series*.

First question – Who would win in a fight if they were all pitted against each other at the same time? Uhtred is from the 800s, and only has a sword. I expect he would go down first. Both Mal and Han have firearms. Then Mal would go down because (Wait for it … ) Han shoots first.

Now that’s sorted out, who is the most roguish? Before I can tackle this question, I need to discount the killing of bad-guys. It’s an occupational hazard of the stories these characters appear in. Let’s start with Han. Turns’ out he’s actually a scoundrel. Yes, he comes back to save Luke at the end of movie 1, and he sticks it out through the series, even leading a dangerous expedition on Endor, but his back story is one of real crime, and his motives throughout the rest of the movies aren’t clear – I suppose it’s for the love of Leia. What about Uhtred? The most notable bit of roguishness involves the double-crossing and sacking of a Welsh village. Most of the rest of his exploits involve fighting with Danes, and as it’s part of a war between the Saxons and Danes so I’m not sure that counts as roguish behavior. His back-story has him turned out from a noble Saxon family to be brought up by Danes. Now for Mal. His day job involves running illegal cargo, BUT he’s got a strict set of rules about what that cargo is. He gives up jobs that directly hurt regular folk. His back story involves being on the wrong side of a war. I hardly count this as roguish. Once again Han comes out on top.

What about the strict set of rules this character lives by? In my opinion, Mal really has the best and most idealistic set of rules, generally centered on letting people live their lives. I can’t tell you what sort of rules Han lives by – he’s a scoundrel. Uhtred lives by the sword, and the oath. I’d put him second in the strong belief’s category.

Who’s the most ruggedly handsome? I don’t care.

I could go on, but I think that’s enough. What’s the point of this musing? To be honest, this is some rubber-ducking to help me work out a main character. I hadn’t initially imagined him as a lovable rogue, but that’s where it’s landed. This is one of the reasons I’m having trouble making the character really pop (because I’m fighting against this characterization). Now that I’ve accepted the reality of who this character needs to be in order to make the story work, I need to make sure that I do it right. There are a whole lot of ways to achieve this type of character, I just need to settle on one and go with it. I’m thinking of placing him just outside the not a lovable rogue sphere, but slightly more on the soldier quadrant.

 

LovableRogue

Do you have a lovable rogue? Where does s/he belong on this chart?

 

* By Bernard Cornwell. You need to read this.

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Milestone

I took the week off (most of the week – I have a budget meeting on Thursday) to work on finishing a first full draft. It was a fairly lofty goal given that I’m trying to squeeze in the rest of life during this period. I’m not sure I’ll quite hit the end of a full first draft by Sunday evening next week, but it’s not outside the realm of possibility either. Here’s what I’ve accomplished so far since Friday night:

  • Finished the third re-write of chapter 10, which is much better now.
  • Rewrote chapter 17 to fit changes in plot better (this was actually a pretty major rewrite)
  • Wrote chapter 18 – this rounds out a major sub-plot with a brother.
  • Started chapter 19 – I have 1000 words written as of right now.

All of the work I’ve completed above is not in what I would call a polished format, it’s very much draft. Chapter 17 still needs some major work, but I’m going to save it until I go back through the book again. The issues are largely related to character development and I want to try and address all of those problems in one or two passes. Chapter 18 is very short, and will probably need more detail, but it’s plenty good for a first draft, and chapter 10 still needs a considerable amount of polishing. My target, right now, is 21 chapters, meaning I’ve got to finish up 19, with two more to follow (this alone is likely to be 10K-12K words). I haven’t ruled out the possibility of inserting as much as a chapters worth of material earlier in the book to explore some character elements a bit more.

If you’ve read to this point, I suppose you’re wondering what the milestone was, after all I didn’t finish the book or anything. Well, the original target was 80K words. With the start of Chapter 19, I’ve hit that mark. Given the direction I want to go, and the additions I know I need to make, the new target is looking more like 90-100K words.

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Nobody cares that it’s called a ‘poop deck’.

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If you’ve read any of my recent posts, you are aware that I’m having an epic and very public fight with chapter 10. I’ve drafted it twice and was getting ready to rewrite it for a third time before I handed it over to my wife. My wife is a lovely and tolerant woman, and also the most well read person I know. I actually had to design our house around built in bookcases (if you don’t believe me, ask her. This actually happened.) Anyhow, she’s usually a good sounding board for identifying ideas that suck, but she’s always kind enough to not say “this sucks,” instead offering suggestions on how it could be better.

Turns out, chapter 10 didn’t straight-up suck, it just needed a little more focus, which we got to the bottom of fairly quickly before dissolving into an argument discussion about the intention of a particular character, as if he were real. It kind of made me feel good because it’s the sort of discussion we have over other people’s books. One of the big messages though, was “you’re not Patrick O’Brien*, nobody cares what a poop-deck is.”

There is a balance between what is necessary for plausibility and what is just too much information. While I have spent a reasonable amount of time and energy researching historical British naval terminology, it’s completely unnecessary for anyone reading my story to know that. Furthermore, it would be best if they didn’t. So, describing the poop-deck is overkill, I need to find another way to deal with the description.

At this point, I bet you’re already not asking yourself, what is a poop-deck? -assuming you haven’t already not bothered googling it. Contrary to what you may be imagining, this is not where sailors take their poops, that’s done at the head. According to Wikipedia, the name poop-deck originates from the French word for stern (rear of the ship), which is la poupe, from the latin puppis. The poop-deck is the highest deck at the stern. It was typically unarmed and served as the station for the signaling officer. So, poop-deck aside, how am I going to deal with naval terms nobody except Patrick O’Brien fans will care about? Well, it’s pretty straight forward. As much as possible I’m going to limit the naval jargon to dialogue, then back that up with action for context. Instead of saying something like:

  Todhrel made his way to the poop-deck.

I’m going to say something more along the lines of:

  “An’ he’s on the poop sir, shall I call ‘im?” the young midshipman said.
  “No, I’ll fetch him.”
  Todhrel mounted the narrow stairs to the deck with more vigor than he felt.

I can’t say this sort of approach would be a solution for everyone, but it’s how I’m going to do it, and hopefully, I’ll be able to avoid the over-sharing of details no-one cares about.

 

* Patrick O’Brien wrote the Master and Commander books, which are exceptionally dry and full of obscure naval terms. I love these books. Jack Aubrey is my 3rd favorite captain after Mal (if you have to ask, don’t bother), and Kirk (I repeat).