Today was one of those days where I couldn’t get anything written. I had a particularly intense day that had me fighting off a panic attack by 2. This is, of course, the sort of thing that happens when you’ve got 1 month to complete 1.5 months worth of work. Sigh. I’m tired. As a result, I really didn’t have the mental energy to solve my chapter 3 problem AND put it into prose that is at least an approximation of ‘not suck’. All that said, I had a good run today, and while I wheeled around the small gym track some forty times, I managed to come up with something like a solution. There are a few sticky details to work out, but once I actually sit down and put myself into the main character’s shoes in the scene, I should be able to see exactly how he manages to squeeze out of it. It’ll be difficult, for him, but I think it should be. So, tomorrow, after I’ve thought about it for a while, I’ll sit down and make it happen. For now though, I think I’m going to check out a nip of single-malt, and get some sleep. Tomorrow is likely to be just as intense as today.
Tag Archives: fiction writing
The dreaded chapter 3 re-write
Right now, I’m staring down the barrel of a chapter 3 re-write. The second half of the chapter is generally pretty good, just needs polishing and copy editing. The first half, however, has major plausibility issues. Well, not major, but they’re annoying enough that they won’t work. It’s not so bad it can’t be fixed, and once I do it’s going to be a whole lot better. I just haven’t got the foggiest idea on how to go about dealing with it. Part of the issue is that the circumstances of the scene have been in place for such a long time, I’m having a hard time visualizing a different, better situation.
The more I think about it, the stupider it seems that I can’t just tweak it. As much as I want to rubber-duck* this, and have a solution, I’m still struggling to come up with one. Perhaps the solution is to try a few different things and see where they eventually lead me. I mean, I’m really only talking about twenty-five hundred words. So, with that in mind, I’m going to start by changing the situation to be impossibly difficult for the protagonist (and writer), then revise until it works. With any luck, I will have fixed the problem.
* For an explanation of rubber-ducking see my about page
Problems with my main character
As I work through the first few chapters of my current story yet again, one of the main issues I’m trying to address is a weak protagonist. For the last re-write of these chapters I intentionally focused on him having a lack of confidence. I thought this would be a good way to show the character grow as he regained that trait and took charge of his particular situation. Turns out this wasn’t a good idea. The entire story was written so that a protagonist without confidence simply isn’t believable. Damn. Now what?
Another aspect of this character is that he has been born with a special gift of magic. It’s a gift he doesn’t trust, and if anyone knew of it, he’d be ostracized. Not only that, it’s a gift he’d never been taught to fully exploit. There are some other twists to it, but this is the gist. By the end of the story, he will have learned the trick of commanding the better part of his real power, and use it to win the day. At first glance, it’s a pretty subtle bit of character development, but when I look back at what he goes through, it’s not really subtle. In fact, it’s the key change he undergoes through the story. From that perspective, it makes perfect sense that I should focus on his magic as the dynamic element, especially since most of the story revolves around his learning of magic. The next step is to go through each chapter and re-write to make him confident, perhaps to a fault, and instead focus on magic as the key aspect of character development. With luck, this change will make the story more interesting, believable and engaging. If not, well, I’ll just revise again.
On Writing Dragons 