Tag Archives: getting published

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Can’t I just disappear for a while?

This morning I got up, dragged my sorry rump off to work, got stuck in traffic and rolled into work late. Not awesome. I was able to stay late to make it up, no problem. The bigger problem was that when I hit the parking lot and climbed out. My first thought was “I am so done, so done.” To be clear, I don’t hate my job, but I’m so so busy, so incredibly busy. I know I claim to be a writer and should easily be able to describe how many flavors of busy I am and how it feels to work in an environment so saturated with crises that everyone seems to think adding unnecessary crises is a pretty good idea  – you know to really show how busy we are, but the best I can come up with is that I can’t finish a current task without having two more added to the list. My colleague and I have written about 120 reports in the past five months. To add some context to that, this is roughly the annual throughput of the entire team prior to our arrival. As this is my job and I’m well compensated for it, it should be YAY us, we’re freaking awesome. Nope. Not feeling it -I’m tired.

Last weekend, the wife and I went to Seattle, sans children, to have a romantic stress-free weekend. This was fully achieved, it was great. I don’t care how many homeless people I didn’t see or how much I didn’t have my car broken into or any of those things that happen in big cities. I frikkin’ loved Seattle. LOVED. I figured the trip would really recharge my batteries. It did for about a day. Then, I came back and reality hit again.

I have made myself so busy, I now feel guilty about the 1 hour a week I’m devoting to watching Westworld. I’ve got a demanding job, for which I’ve recently had a title change that I can’t tell anybody about that because apparently something got screwed up, I don’t know what got screwed up, just that I have a shiny new meaningless title and I’m also pretty sure everyone thinks I’m slacking. On top of that, I’m trying to start another company for another company, which is NOT going as hoped. I’m also trying to write 2 (no, actually 4, but only two actively) books AND I’m trying to get a book published on inkshares – that’s not going great, but I’m doing the best I can to promote without being absolutely insufferable. To continue to add to the list, I’m writing a recipe article for my wife’s dad’s newspaper (any suggestions? – due tomorrow, looks like). Then, last but not least, I’m trying to keep up on my blog, which (obviously) is not going well. I’m so damn over-taxed that I’ve tried about half a dozen posts in the last week or two and have gotten just past the “hey, I had this great thought I wanted to share” point and realized I didn’t have the mental energy to get to the point and wrap it.

Yesterday, I started the audiobook for Felicia Day’s autobiography – it’s called something about being weird on the internet, don’t ask me the title, I’m too lazy to pick up my iPod or open another tab to Google it and get it right. This audio book is good, I mean I love her work, and think she’s a spectacular writer. I’m pretty sure the book is meant to be a ‘rah-rah, love yourself and follow your dreams’ sort of story. Well, it didn’t work for me. I pretty much finished it and have more or less come a way thinking that this woman is brilliant and talented, and I am not, and no amount of hard work I put into anything is going to amount to anything one tenth so brilliant.

Part of the reason I’m so busy at work is that I’ve built a system that lends itself to extremely rapid adhoc report development. Someone can ask me the question: How many CCU visits resulted in this particular diagnosis in August & September 2016 and the same for 2015. I can spin that around in like 20 minutes. The usual timeline for an adhoc like that is like six months – largely because it would take 3-6 hours, maybe more, and it doesn’t count as a big important thing, so it gets dropped to the bottom of the list. In any case, having built this system up, I am becoming ‘the guy’. I’m not the only ‘the guy’, but I am one, and so I’m in demand. On one hand, you could call this a win and say it’s brilliant within my work context, but I don’t see it that way. I still have 50 unresolved tickets and have a mountain of documentation and training materials, plus hours of meetings and requirements gathering for more reports, I don’t have much of a handle on planning or even progress, my whole project management game is shit, really. Basically, I have worked my ass off and am further behind than when I started. This is not a win, nor is is anything like brilliant.

I wrote a book I love and characters I think are awesome. That book received 0 response from more than 40 agents and has not gained any sort of momentum on inkshares. I have had TREMENDOUS support from so many people, who are endlessly sharing and tweeting and pre-ordering, but with less than a month and more than 200 copies to go. The win is looking beyond remote. That book is very unlikely to see the light of day. I can’t tell you how much THAT makes me feel like I’m letting folks down. So much support, and I’m unable to make the win. When you crowd-fund like that, the project becomes the project of everyone who supported, and for me to not hit the magic number is an ENORMOUS failure to deliver for EVERY SINGLE PERSON who has helped and been generous and supportive.

I’m not stuck on my other works as much as I simply haven’t got the time to work on them as much as is necessary to finish any one of them. I mean, I do write -every day. Sometimes, I get super productive and knock out 2K in a single night, but those nights are rare and with so little energy to spare, the best I can do is read through what I wrote on one of those WIPs and think about how much work remains.

So.

Here I am.

I don’t have the bandwidth. I just want to walk away from all of it. I’m tired and my motivation for doing more than coming home, having a beer and falling asleep on the couch is basically non-existent. I clearly haven’t got the drive or talent of a person capable of pulling off any of what I’ve set out out to do. The hard part is that I can’t help but try. I suppose that for every ‘I worked my ass off to get here’ story you get, you get as many ‘I worked my ass off and I’m no further down the road than I was ten years ago’ stories. Anyhow, now I’m off to work on something that requires my attention.

Maybe stupidity and unrelenting stubbornness will pay off at some point?

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Existential crisis of a writer

At the Alaska Writer’s Guild annual conference, I heard a lot of things. So many of those things stuck with me as really good and legitimately helpful advice. I will go on about that quite a bit over the next few weeks in part because I’m still digesting what I heard and writing it out like this helps me to understand it. That said, one of the things that hit me, and is still hitting me, is this question:

Why do we write?

If you’d asked me that question before last week, I’d have selected one of the following clichés:

– Because I love doing it, and I want to keep doing it,

– Because I want to be a professional writer when I grow up,

– Because it legitimizes my wearing of socks and sandals in a way nothing else can.

Okay, I made that last one up, that’s being a programmer. Being a programmer does that. So the real answer, and one I’m embarrassed to say someone had to tell me, is that we write to be read. Wow. Okay. That distills it down to the very heart of the matter, doesn’t it? I think that ought to be enough for me to just carry on and keep writing. After all, it’s not exactly an earth shattering revelation. Yet, it still nags me, because I can’t get past the second why. This is the why that hangs out with a but just at the end of the to be read.

Why? It’s the ultimate existential question isn’t it? You can why anything to death. I keep wanting to come back round to the why I do this, but here’s the kicker, it’s not about me at all. If I make it about me, then I’m missing the point. I’d like to think what I write is humorous. Perhaps not outright funny, but silly in a slightly better than slapstick way. Attempting to be humorous adds something to my work for sure. When I started doing that, the quality of my writing increased dramatically. Even I like it better and I’m extremely hard on myself. I’ve even gotten a few compliments, and compliments feel good. For me, the best compliment is “I’m really enjoying this.” I’m not really looking for anything more than that. There it is again, that me thing, but that’s why I do it, we’re talking the second why, not the first one.

To get back to the first ‘why’ in ‘why do we write’, it’s a two way street isn’t it? I get satisfaction from hearing the words “I’m enjoying this.” and the reader has clearly gotten something from it. They’ve gotten what I was hoping they would get out of it. The problem here is that it’s all too easy to focus exclusively on the ‘me’ portion of the equation and not the reader portion. I’m not saying it’s all about working out exactly what an audience wants to see, because quite often they don’t know what they want, that’s why creative people exist, to make up the new things that people didn’t know they wanted until they have it in front of them.

In any case, this is something for me to ponder and think about as I work through the difficult process of getting enough pre-orders to publish Wine Bottles and Broomsticks on Inkshares, and moving forward too into other projects that will need to find the readers that need them.

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An article in the newspaper

I know this blog is supposed to be about writing and writing problems, and so often I vent about life’s curve-balls. Today, I’m going to dispense with anything like that. Last week I had the opportunity to be interviewed by a local newspaper reporter Caitlin Skvorc about Wine Bottles and Broomsticks and my efforts to see it published through inkshares.com. It’s a lovely article – check it out:

http://www.frontiersman.com/arts_entertainment/witchy-work-wasilla-author-hopes-to-publish-with-public-s/article_a0484ba6-81bb-11e6-b064-9728b1c5a0ec.html