Deflating (how the hell does a new author get published?)

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You might expect that I danced around the house beating my chest and being generally insufferable after finishing my first draft. Nope. I barely got warmed up before my ego was popped like a giant over-inflated balloon. While I may have been insufferable for a good fifteen minutes, I hadn’t quite gotten to the ‘beating my chest’ stage of things before sitting myself down with a nip of whiskey. Just as I was about the raise the glass and salute myself for being awesome, my wife looked over her own glass and said, “Congratulations. So what’s your next step?”

I really can’t think of a statement that is at once so supportive, non-critical, and utterly deflating.

The amount of work remaining is mind-boggling. In total, the book is 21 chapters long. There’s every bit of editing and revision you can imagine and more. On the bright side, I’ve already been sharing some of this work with friends and so the first half of the book is pretty well polished. I’d put the number of revisions on most of those chapters at somewhere between 1 and 2 dozen full rewrites. These are at the point where they really just need a bit of polish before going off for another round of beta-reading. Then, I get into the technical editing.

The last half of the book, however, is another matter. It’s in mixed condition. For me, the first full draft for me simply means that I’ve finally got at least a full draft of each chapter in the book up to the end. All but the final two chapters have already been re-written at least twice. Chapter 16, for example, has been with me for more than two years, starting life as chapter 5. It’s undergone tons of rewrites, and reads pretty well.

Dave.

Yes?

I think you’re rambling.

I’m getting there.

Are you sure? I mean, if you’re not going to get to the point, perhaps I should move on to another blog?

Just be patient. You can’t rush a really good rant.

It’s not really the editing that was so much deflating, though it’s a major thing to deal with at this point. What’s got me twisted in knots is what comes after that. Beyond revision and editing, which I expect to dominate huge swaths of my summer, I’ve got to start thinking about publishing*. To be perfectly clear, my eventual goal in life is to become a full-time writer. I recognize this is not an overnight thing, which is why I’ve got a pretty damn good day job.

For now, I’m staring down the barrel of two equally daunting possibilities**: I can self publish or try to go ‘traditional’

If I were to choose the ‘traditional’ route. I can polish this until my knuckles bleed, without any real guidance as to whether or not the polishing is even making the damn thing shiner in the eyes of a publisher. Then, I get to spend weeks developing query letters and synopsis, and whatever the hell else agents and publishers want, before shipping it off. At that point, I get the joy of waiting for months and months hoping, and praying***, some magnanimous agent or publisher decides to go out on a limb and take it up an author without a platform. In the mean time, I’ll be waiting months for rejection letters before trying again. Provided most of the accounts I’ve read on this process are accurate, I’ll get to continue revising for months before receiving a little bitty advance, and if I work very, very hard on social media, I might actually get some royalties on top of that. Once I manage to finish book 2, I’ll have to repeat the process, hoping that all of the effort I’ve poured into setting this series up doesn’t go up in smoke.

Traditional doesn’t sound so good from this perspective does it?

So, what if I go the self-publishing route? I could do that. I just need some beta readers to start – we’ll just assume the advice they give me is in-depth enough to address issues of character, plot, theme, and setting in the work as a whole. Then, I need to hire an editor. I’ll just assume my decision here is the right one, I mean, what’s a couple grand *COUGH*. (No problem, I’ve got a spare kidney.) So, that’s line editing taken care of – I don’t really need the other sorts of editing do I? So, whats left? Ah, some cover art, That should roll in at around 500 bucks, (hmmm, do you really need two kidneys?) Once all that’s set, I can get a copy of indesign. Shouldn’t take me but a month or two to get myself professionally comfortable with that, and all that’s left is to work out how to navigate Amazon. Then I hit ‘publish’ and wait for the dollars to pour in right? No… wait I have to work very, very hard on social media, and quite possibly invest some cash in advertising, (people don’t have three kidneys do they?) to see a few copies sell.

You know, in looking back at that to-do list and the associated costs, I’m not really convinced on self-publishing either.

So, then what are you going to do Dave?

I’m extremely conflicted on this point. It seems to me that going through a traditional publishing house gives you a bit of a leg up on the platform building front. I’d like the opportunity to tap into that. To be honest though, I actually don’t think there is a real option for a new author. I mean, I could go through the process of submitting to agents and publishers, waiting for months for each painstakingly mass-printed rejection notice, containing a carefully crafted one-size fits all ‘no thank you’. Sure, new authors do get published in this manner, but many more very good writers do not. I have no expectation that I would somehow be amongst the lucky handful. Of course, I could self-publish, but this is another special version of an up-hill battle, and not one that I’m convinced will lead me to my goal.

Did you get to an answer in there?

No, but if you could help me find a thoroughly convincing argument to go either way, it might help.


* Yes, I know that I’m not done yet, but summer will come and go quickly.
** Don’t bother splitting hairs on indy publishing houses here, there’s no point.
*** I am not a particularly religious individual, but if I needed to pray for something, it would save it for something other than a book.


photo credit: The Gears via photopin (license)

Major massive milestone

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Ten years.

That’s kind of a long time. Over the course of the past decade, aside from the usual 8-5 job and various successes there, I’ve built most of a house, added a workshop, duck-house, chicken-coop, took up woodworking (I managed to sell a few pieces of furniture), fiddled with bonsai, learned much about the art of home-brewing, and, not least significantly, had three children (okay, I didn’t, my wife did, but I was present). In short, a lot has happened. I’m sure at this point you must be thinking: This guy is a smug and self-important bastard isn’t he? If you’re not, perhaps you should be -I would be. The thing is I’m not. In fact, if you think I’m calling these ‘accomplishments,’ you’re wrong*. These are the daily distractions of my life, all of which I have chosen, for the past several years, but don’t worry, I’m going somewhere with this.

When our first son was born, I had my trusty notebook with me for the hospital stay, where I was treated to three nights on a too-short couch and the absolute panic associated with being a new parent. The story I was working on is the very same I’m working on now. It started as two separate sci-fi novels that morphed and merged into a single fantasy series that dropped all of the sci-fi elements**. Back then, I was mostly focused on background and constructed language development. I’d be a lying jerk if I tried to claim I had anything like a plot, and the characters were sketches of people, without any sort of personality.

Now, for the milestone bit: I finally, after a decade, have a full first draft.

Holy crap, it took you ten years to write 90,000 words? What’s wrong with you?

Hey! – I got it done, and bits of it are fairly well polished and have even been through beta-readers. It happened last night. I hit the end of a sentence and spent a few minutes trying to think of where I might go next with it and realized the remainder of the ‘story’ was superfluous. Nothing more needed to be said.

Wait! You dodged the question about what the hell took you so long!

Alright! Jeez. It may be that it took me a decade, but in all of that random stuff I was spending time on, I wasn’t necessarily spending much energy on writing. In fact, there were stretches of months, maybe even as long as a year, where I didn’t spend any time thinking about writing at all. It wasn’t until about two years ago that I once again dusted off my notebook and started working on my story. I made some serious progress. Over the course of a few months I ran through what’s now the first five or six chapters of the book, as well as a few other chapters sprinkled in throughout later parts of the book. Then, I sort of shelved it again. We had some family stress and I just didn’t work on it.

An interesting side note here, I had only confided in my wife about this project while working on it, that is until last spring. I started thinking about it again and decided to confide in a friend and co-worker what I was doing. I’m not sure why, but I did.

Anyhow, sometime last summer, I had a shit or get off the pot moment. I don’t remember it exactly, and neither does my wife, though she assures me that’s what happened. The bottom line is that I said (probably after a few beers), I’m going to finish this book dammit!

Are you going to get to the point or just ramble on?

I’m just about to get there, stop interrupting.

What I think I realized is that I had been waiting for some sort of inspiration to strike me. (Emily Russell wrote a good article related to this, if for some reason you’re reading this and haven’t seen that, just stop and read that first – but come back here!). Inspiration isn’t going to finish a book. It’s not the sort of thing that just hits you while you’re driving down the street thinking about the trees*** It happens while you are trying to write, while you are actively thinking about your story. Sure good creative ideas do seem to strike in a flash of brilliance, but the truth of the matter is that you were thinking about it. It’s even better if you’ve written something down. Of course, I’ve had those moments where something strikes me as funny or odd, and I scribble down a note for later. Perhaps that’s a bit of inspiration, but inspiration doesn’t make a book. Writing does. Work does. Effort does. Like it or not, sacrifice does.

Possibly one of my favorite inspiration stories is the J.K. Rowling story about Harry Potter. She was on a train and the boy who lived just sort of walked into the train car with her. Isn’t that lovely? Boom – A multi-million dollar franchise was born! Bullshit. After that bit of inspiration, Rowling worked her ass off on back-story, setting, character development, plotting, and themes. It took years and loads of work (and quite a bit of luck too, but I’m not going there). For all practical purposes, ALL of the story comes from hard work and focus.

So. There it is. Lesson learned. If you want to finish, you have to focus and not make excuses about having too many other responsibilities. One paragraph per night? Good enough. You’ll get there, just keep on it.

* Except for the day-job stuff. I really am pretty full of myself there, but that’s not what I want to talk about.

** Someday I will blog about the circumstances leading to this, but not today.

*** I do this, don’t laugh. My family all thinks I’m a freak because I’ll fawn over the trees on any sort of hike. I will actually stop on a trail, grab a leaf and pontificate about a particular type of tree.

Progress report – stuckish

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Did I mention I gave up on trying to finish the book before fixing the main character? No? Well, that’s because I haven’t been on here much lately. I should be, it’s good for me, forces me to write more.

Anyhow, I have been working on my book, but haven’t managed to finish those last pesky few chapters. I got stuck. In part, I’m tired from my day job – this is our busy season, and also because I wasn’t able to make chapter 17 work. The reason I couldn’t make it work has to do with the fact that it’s the point in the story where the main character has to make some decisions. Since the character started out so weak, it had no punch and basically fell flat for me as both a reader and writer.

How am I supposed to make the reader care about the character and decisions he’s having to make if they didn’t care about him in the first place? Well, that’s a good question. So, stuck as I am, I went back to chapter one, and stared at it for a day or two. No help there. So, I went back further to a page or three of back-story that won’t ever see the light of day (at least not in the book). I wrote my character with a new perspective. Gave him a reason to fall into the circumstances that come later. In a few sentences, I laid out his world view in something like a monologue. This seemed to work. Of course, it means re-writing the entire book as it is so far. Not awesome, not awesome at all, but necessary. That said, I’m not really changing the plot or the events, more the reaction to those events, and perhaps a little be of how those elements of plot are arrived at.

What was good about this approach though is that if I get stuck or the story starts to seem flimsy, I can refer back to that bit of writing to remind me how the character is supposed to react. So far, I’m back up to chapter 12. One interesting side effect of revising the main character in this manner is that it gives the main supporting character more to work with thus making him stronger as well.

At this point if you’re not asking, why didn’t I just do this to begin with? you probably should be. Truth is, I thought I had. I wrote a whole long chapter of back story, but it didn’t really get at his motivations and perspective. Most of the other character’s I’ve tried to write usually start out fairly strong in my mind, but this character never has. It’s one of the reasons this project took so long to get off the ground.

I’ve still got lots of polishing to do, but now I feel like I’m once again making progress – even if I still haven’t actually finished the first draft.