Tag Archives: writing

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Revisiting older work

With Wine Bottles and Broomsticks entering the long and epic end-game of writing a book, my extreme sense of procrastination is starting to kick in. Aside from mocking up fake magic cards and poking about with a program I’ve been working on, I’ve started thinking seriously about other stories. While I want to, want to work on the sequel to Wine Bottles and Broomsticks, I just can’t seem to stay focused. Part of that probably has to do with a healthy dose of self-doubt about Wine Bottles. I mean, just because I think it’s a good book and that everyone should read it doesn’t mean anyone ever will. One of those avenues of procrastination happens to be my last attempt at a novel.

The War of Shadows was the first book I’d actually completed. I even proudly sent it out to beta readers. As these things tend to go with first books, my friends mostly finished it and had encouraging things to say. However, the truth of the matter is that the book sucked, something my wife tried to say in constructive terms. The idea that it was broken finally started sinking in last summer. I don’t know that it’s broken beyond repair, but it was pretty clearly beyond my skill to correct. The core (not the entire) problem was the two main characters and especially the main character. They were bland, weak, and had no chemistry. Some of the other characters are a bit better, but in general they’re bad. My conclusion? I’m awful with characters and character arcs.

With that failure solidly under my belt back in August, I decided to take a short break from revising my broken book and work on a concept that came to me after a flippant remark. The phrase ‘The problem with witch hunts is that sometimes you find one’ actually comes from something I told someone. I’m not sure how a sentence can become a book, but there it is. This story quickly became my main writing focus, almost to the exclusion of everything else in life. What’s the main strength of Wine Bottles? Ironically, it’s the characters. This has made me revisit the conclusion that I can’t write good characters. In fact I can do it, furthermore, I knew what was necessary to fix it, but I couldn’t seem to make it work. This was, of course, because much of the action surrounding the main character was built according to his reactions, which meant a full and complete re-write of the book, something I didn’t want to do. Now I’ve finished a second book, I actually WANT to to rewrite it. I want to make that character the way he should be. Having concluded a character arc, I can see how it’s supposed to work and I’m ready to tackle it again.

In fact, I’ve already started. On Thursday night I crawled into bed, exhausted and ready for the day to be over only to be drawn to my iPad, where I clacked out the new start to the book. I only made it five-hundred words in before calling it a night, but the gauntlets were off. I’m going to completely gut and re-write the book. So far, I can say that this is much, much easier than the first time. I’m about half-way through the new first chapter and while it’s still rough (it is a draft), it’s a million times better and the characters are already more interesting and likable.

What’s interesting to me about this is that I didn’t stop writing or take a ton of classes, and I didn’t pick up dozens of books to carefully study them for techniques on how to bring out a strong character. No, I kept writing. I wrote something different, something that was supposed to be a throw-away, not a serious effort. You know what? I learned something. Not only did I learn more about how to put a story together, but I also learned about my own writing style. Just playing to my strengths has made the process of writing much more enjoyable and move along much faster. I may still have a lot to learn, but I’m now much, much further along than I was last year at this time.

Now I’m off to work on that first chapter again. Hopefully, it’ll make for a readable book this time.

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Thoughts on finding an agent

I finished another (not the final) read-though and revision of Wine Bottles and Broomsticks yesterday, so naturally, I’ve started the process of researching agents and agencies who might be interested in what I’ve got. My first reaction of this process is that it’s a soul-crushing experience.

I’ve only gotten as far as starting a list of agents to query once I’m ready. The best thing I can say about it thus far is that every agent is pretty clear about the stuff they’re interested in. The less awesome part is that I don’t see how my particular book is going to fit in. Not only that, I anticipate being involved in the process of research, querying, not hearing back (standard procedure), and fretting for a good long while.

The query letter also has me worried. As a hiring manager for a number of years, I know that the cover letter makes all the difference in hiring and even a well-written one can suck. Furthermore, I also know that a generic cover-letter doesn’t do anyone any favors. I expect query letters more or less work the same. After all, the query letter is only an application to have your work looked at. Writing an individualized query to speak to the specific stated interests of various agents could take two or three days each. To put a cherry on that sundae, I’ve got no more than a handful of sentences to sell the idea of the book, so they go on to read the sample (assuming they’ve requested one), and then hope that all of those things get mefrom ‘nope, boring’ to ‘go on…’

The bottom line is that even though I’ve got quite enough work left to on the manuscript, there’s a lot more work to be done in trying to get the thing sold. A lot of work. I don’t mind work, but I have no idea what to expect or how best to approach this, so the mountain looks a lot higher. On the bright side, I’ve got a day-job, so yay for that.

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On a break

This week, I’m headed off for a break. It’s a writing break, a work break, and an at-home stuff break. My family and I are hopping on an airplane tonight (a few hours) to head off to LA (Yes, Disneyland). We’ve never all been on a vacation together, the closest we’ve gotten is a trip down to Seward or that one time we went to Fairbanks for a weekend. 

Normally, the airplane is a great place to write, it’s one of the few places where the distraction IS writing. Hotel rooms are also particularly productive, I mean, what else would I do? Last couple of work trips I spent my hotel and airplane time knocking out about half of Wine Bottles and Broomsticks. That’s even after dinner with co-workers and talking with the wife on the phone. This isn’t that sort of trip though. I’ve got the kids with me so there will be those distractions, plus I’m flying late-night flights there and back. I’m not going to have the energy to be creative or productive in any meaningful sense. 

At the moment, most of what I’m working on is line edits and various bits of polishing, not an awful lot of content creation going on anyhow. By taking a break like this, I’m hoping that when I come back, after I get a bit of sleep, I’ll be able to focus on not only editing book 1 of the Rick Basket stories, Wine Bottles and Broomsticks, but I’ll be able to start seriously thinking about plot details and outlines for the second book. I think a good break to absorb some of the real world will do wonders for my created world and make sure I stay excited about the project. 

In any case, I’m sure I’ll be all over Twitter, Instagram, and Facebook during my time off, so if you’re wondering what sort of trouble I’m getting in to, there will be a full-public accounting of that. Except for the moments where I’m getting told to ‘put that damn phone away.’