Today was a woefully unproductive writing day. I think I managed to get down two lines of poem before once again becoming distracted by the celestial scope of housework that needed my attention. If all goes well, the kids will go down in half an hour, and I’ll be able to focus. It’s not that I’m not thinking about my story, I’m just not able to put in the concentration necessary to work through my current issue.

Last night, after I got back from what can only be described as an epic alpine adventure, I opened my laptop and stared blankly at the chapter I have been working on in my story. The three main characters of this plot-line (I do have a single sub-plot for this book that follows different characters) were essentially sitting around a fire, staring at one another and asking what next? Unfortunately, I was right there with them, blank stare and all. Part of the reason for this is that the explanation of events and character motivation leading to the end of the story, as it stands, is flimsy. If my characters launched off in the planned direction, some pretty important pieces of the story wouldn’t make sense (I could make it work, probably, but I’d hate it). My solution? Well, this is one of the reasons concentration is essential to fixing things. I am going to change the timeline a bit by going back in time a couple of chapters, where I will add in one long or two shortish chapters. If done properly, it will give my main character the motivation he needs in order to head off in the direction he was already going, and also beyond. If I remain focused, I’ll also be able to write those new chapters in such a way that following chapters should only require moderate revision. Not only that, the more I consider this solution, I realize it’s not just a good idea for plotting, it’s going to be an essential element to the development of the character. So, here I go…