Why are beginnings so damn hard?

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Everyone who knows me, and some who don’t, are more than fully aware that I’m working on editing the Dark Queen of Darkness. I just finished up the first round of developmental edits, which are back with the editor (Jette Harris). However, I’m not even remotely close to done yet. My process thus far has been to run through her suggestions, pick off low-hanging fruit and then go once through for each of the larger issues to ensure consistency. This usually starts with starting at the beginning. Every time I start at the beginning, I inevitably fidget with the first few paragraphs. It’s killing me.

I wrote the first paragraph to the dark queen almost 3 years ago and it was fucking great. So, naturally, I’ve hated it ever since. The current incarnation is:

There was no mistaking the dark tower. It was the tallest, blackest, and most evil looking tower in the whole of the dark kingdom. Hexe, the dark queen, had built it specifically to say dark queen and sorceress right down to the foundations. She’d even gone so far as to have the words property of the dark queen etched on every stone. The tower was an imposing and unlovely sight, much like Hexe herself, tall, narrow, and nothing but sharp, plain angles.

I think it’s repetitive, not very grabby, and absolutely perfect at the same time. This is not a good place to be when you’re supposed to be editing. At this point, all I have from Jette (the editor) on this is that it’s fine, but maybe not got quite enough hook. As with all of the advice and feedback offered by Jette, thus far, I feel in my gut that she’s quite right. The problem here is that I’m so incredibly close to the work, especially this paragraph, that I’m unable to tackle it with a properly dispassionate approach.

My favorite book openings are those offered by Terry Pratchett, Douglas Adams, and JK Rowling. They tend to be chatty and easy. They give the narrator a minute to bring the reader up to speed before launching into the main thrust of the work. And as I write this, I wonder if examining pieces by those authors might not be instructive – A wise writer once suggested I open a few of the books I like and highlight passages that work. Maybe that’s the answer here. Don’t just look at the words on the page, look at why another author’s intro works.

I don’t know what else to say about this, except that for every book I’ve written, the same problem exists. I hate the intro and also love it just the way it is.

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