Writer’s improvement hell – repetition

Improvement

I thought I had a good post on this topic, but I’m not sure I do. There isn’t one specific improvement situation that I feel like I can speak to just now. Sure, there’s a lot of stuff I’m constantly working on, but nothing in particular is sicking out in my mind. So, instead of banging on about what I’m stuck on today, I think I’ll ramble on about a couple of things I’m constantly working on. The first is starting sentences. One of the things I try to do when I write is NOT start subsequent sentences, or even sentences in the same paragraph, with the same word. Sometimes it’s unavoidable, but most of the time it’s not. Even then, I still find myself being repetitive in this manner. Perhaps the first question one might ask is why bother? Well, it’s because it reads better that way. If I truly understood why this was, I wouldn’t be in writer’s improvement hell.

If you look at my last paragraph, you’ll notice that none of the sentences begin with the same word. The first draft had several repeats, but once it was revised to specifically eliminate these, the flow of the paragraph got better. I’m not going to try and claim it’s a golden example of how to write anything, but it does read reasonably well. Had multiple sentences started with the same word, it would feel repetitive, and that never reads well. Again, there are times when it just makes sense to repeat, so keep that in mind. An interesting side note here is when developing a presentation, I take the same approach. This tends to make the presentation seem more dynamic and less scripted. To make this work though, you need to kick in throw-away words. In the case of paragraph 1 of this blog post (for lack of a better example just now) The second sentence starts with ‘Sure’. This is absolutely unnecessary, the sentence could have just started with “there’s”. If I had done that though, it would have felt a little repetitive. Granted, not so repetitive that it would have sounded awful, but it seems better to me.

Having gone through that, there is a second writer’s improvement problem to be dealt with. That first paragraph still has a problem as far as readability is concerned. It’s the type of thing that drives my sister nuts (I’m not sure she reads these with any regularity, if so: Hello KDW and congratulations on your test!), the word ‘I’, in various incarnations, is repeated WAY too many times. This sort of repetition is probably not necessary. When writing in 3rd person, you get stuck using ‘him’, ‘his’, ‘he’, ‘her’, and ‘she’ a little more often than feels comfortable, but I couldn’t claim I’ve got an easy rule of thumb or remedy for that. There is, however, a remedy for paragraph #1. And here it is:

I sat down thinking there was a good topic for this post rolling around in my brain. Turns out, there wasn’t a specific situation I’m working through right now worth speaking to. Sure, there’s a lot of stuff I’m constantly trying to improve upon, but nothing in particular is sicking out in my mind. So, instead of banging on about today’s sticky points, I’ll ramble on about a couple of things constantly causing me heartburn. The first is starting sentences. One of the things I try to do when writing is to NOT start subsequent sentences, or even sentences in the same paragraph, with the same word. Sometimes it’s unavoidable, but most of the time it’s not. Even then, this sort of repetition creeps into my writing. Perhaps the first question one might ask is why bother? Well, it’s because it reads better that way. If the technical reason was clear to me, I wouldn’t be in writer’s improvement hell.

In the second incarnation of the first paragraph, the word ‘I’, in various incarnations, is repeated a total of six times. The first paragraph has it repeated that many times in the first two sentences. Holy crap! Is that strictly necessary? –Probably not. Now, the best part of this whole post is the fact that the issue illustrated here is something I’m constantly struggling with, and often get wrong. On the bright side, I do recognize the problem, and more than anything else, that will help me to fix it.

Chapter transitions and Jameson 18

I’m working on a transition between my unexpected chapter 14, and chapter 15. Chapter 15 is a lovely bit of the story because I’ve had it drafted since my story was little more than a sketch so it’s pretty well polished. The problem I’ve got though, and have had since the chapter was originally written, is that I’m still struggling to develop a good transition from the previous chapter. Trying to work this out brings me back to well worn ground. How do you open a chapter? Chapter 1 feels like a special case, for starters, you haven’t got to connect it to a previous chapter, and also you don’t have to worry about starting it in exactly the same way as the previous chapter –because there isn’t one. My horrible, awful and cringe-worthy habit is to start them out with the main character waking up. I hate it and yet inevitably this is where I’m drawn. Just being aware of this unfortunate habit gives me the opportunity to address it, and believe me I am. I really don’t have a good solution for this except to say that it’s probably not a good idea to always start your chapters with the same kind of action, unless there is some very specific reason to.

Fortunately, my problem with chapter 15 isn’t that the main character is waking up at the start of it for the 10th chapter in a row. Instead, the issue at hand is specific to pacing. In chapter 14. The action concludes and the main characters are orienting themselves for the next leg of their journey. In chapter 15, they reach their goal and the action resumes. In between the end of chapter 14 and their goal in 15 are two days of travel. I don’t particularly want to spend a lot of time describing their journey down the road or insert some sort of additional conflict as they go. I could add a bit of conflict here before they reach their goal, but it feels like adding unnecessary events that I’ll just need to cut anyhow. For now, I think I’m going to start with a description of the landscape as it has changed over their two days, and use something like a flash-back to describe those two days of travel. The summary will probably cover no more than a few paragraphs, but to work, I think it’s going to need to be longer than a few sentences. Then, I’ll just continue plugging away at trying to have all of book one into a full draft. After that, I’ll go back and start revising, one problem at a time. Looking at chapter transitions is going to be one of those things, I think.

As I’m writing this, I’m working on a little glass of Jameson 18 year (neat, if you must know). My brother-in-law gave it to my wife and I for Christmas. It’s frikin’ excellent. Smooth with hints of pear and cinnamon. It’s really excellent stuff and I highly recommend it.

Relentless

The only word that could possibly do justice to today’s weather is relentless. The wind is blowing at about 35mph, and gusting to around sixty, though I’m pretty sure that last night we were breaking toward 80. The Oxford English Dictionary (the thirteen volume version) simply defines this word as Incapable of relenting; pitiless. This is a pretty good description of what’s going on here. It would be cold without the wind, and when it’s cold, the wind seems to have so much more force behind it. The OED also contains this little gem on the word.

1798 Edgeworth Pract. Educ. I. 380 Few things can be more terrific..to the young writer than the voice of relentless criticism.”

I don’t know that I ever feel terrific about criticism, but I certainly appreciate it and find the result of responding to it close to terrific.